HEY SHOLAY

WDYRWMTB
If the big fat yellow thing in the sky was to burn out I would take you by the hand and float off into orbit (a song for Robert Wyatt)
Djdjdjjdjjdjjhhh
B is for Berlin
Love + hat (a tattoo on the knuckle)
A marigold (Calendula officinalis) 
The origin of communication holds as much mystery as the birth of the Universe itself. Both are at the mercy of speculation and theoretical suppositions, yet without a means to witness first-hand their inception, neither can be definitively explained. The trouble is that, despite both the concept of existence and widespread communication being theoretically improbable to the point of absurdity, both exist and therefore must be defined and elucidated within the boundaries of our accepted logical framework.
The Big Bang is one theory of how the Universe came to exist, and a similar concept was equally proposed as the catalyst for structured language, in that it was not gradually developed, but instead emerged rapidly. The line of reasoning behind this proposal is relatively simple - either a species is capable of complex cognitive thought, or it is not. The innate ability to quantify is an example of how the human mind sculpted its own demand for expressive language through necessity.
If N is any number, then N+1 is an infinite equation limited only by the means to express its product.
Logically this theory cannot be disputed, and it gives further credence to the notion that all language exists in a complex and ever-adaptive state. Though what it does not propose is how this potential evolved into a fully realised and widely acknowledged form of communication.
It is suggested in some disciplines that complex communication was developed through social interaction and learned behaviour, while others believe it to be a product of a genetic distortion spread through breeding which caused a portion of the species to advance dramatically.
Aside from the debate over how this advancement emerged, equally baffling is the notion of how it was perpetuated. As with any new tool or working practice, the benefit of using it over the existing model must deliver a measurable degree of reward. Observations of modern-day species which show the capability of basic communication reinforce this notion through their negative application of the rule. They will use standardly accepted expressions (eg. a cry of pain) outside of the appropriate context to trick other creatures into coming to their assistance, only to use the opportunity to raid their unguarded food-source. In doing this they curtail the potential for advanced communication by undermining the most vital ingredient - a belief in the accuracy of the delivered information. Be it a sound or a complex sentence, neither holds value if the recipient is untrusting of their own interpretation.
The benefit of deception is plain to see in the short-term, yet somehow this barrier had to be overcome for communication to have developed to the degree we see today. One theory is that an overwhelming wave of altruism must have run throughout the vast majority of exchanges, where the understanding of the delivered message became the overriding reward. Another suggests that it is our natural predisposition towards song as a species that enabled us to embrace the varied and expressive nature of vocal communication, with its value not playing a significant role until much later in the process of development.
Whatever the reason for it coming to be, what we can agree on definitively is that our world cannot function without communication.
Everything that we know to exist has a name, and anything new that comes into being must be given one so that we can effectively communicate this to other people. All existing words carry their own contextual implications, so that we can understand what it is we are presented with.
This EP is partially named in the hope of presenting the opportunity for listeners to assign their own meaning to its content.

…
Cloud, Castle, _____

3//6//13

LW

WDYRWMTB

If the big fat yellow thing in the sky was to burn out I would take you by the hand and float off into orbit (a song for Robert Wyatt)

Djdjdjjdjjdjjhhh

B is for Berlin

Love + hat (a tattoo on the knuckle)

A marigold (Calendula officinalis) 

The origin of communication holds as much mystery as the birth of the Universe itself. Both are at the mercy of speculation and theoretical suppositions, yet without a means to witness first-hand their inception, neither can be definitively explained. The trouble is that, despite both the concept of existence and widespread communication being theoretically improbable to the point of absurdity, both exist and therefore must be defined and elucidated within the boundaries of our accepted logical framework.

The Big Bang is one theory of how the Universe came to exist, and a similar concept was equally proposed as the catalyst for structured language, in that it was not gradually developed, but instead emerged rapidly. The line of reasoning behind this proposal is relatively simple - either a species is capable of complex cognitive thought, or it is not. The innate ability to quantify is an example of how the human mind sculpted its own demand for expressive language through necessity.

If N is any number, then N+1 is an infinite equation limited only by the means to express its product.

Logically this theory cannot be disputed, and it gives further credence to the notion that all language exists in a complex and ever-adaptive state. Though what it does not propose is how this potential evolved into a fully realised and widely acknowledged form of communication.

It is suggested in some disciplines that complex communication was developed through social interaction and learned behaviour, while others believe it to be a product of a genetic distortion spread through breeding which caused a portion of the species to advance dramatically.

Aside from the debate over how this advancement emerged, equally baffling is the notion of how it was perpetuated. As with any new tool or working practice, the benefit of using it over the existing model must deliver a measurable degree of reward. Observations of modern-day species which show the capability of basic communication reinforce this notion through their negative application of the rule. They will use standardly accepted expressions (eg. a cry of pain) outside of the appropriate context to trick other creatures into coming to their assistance, only to use the opportunity to raid their unguarded food-source. In doing this they curtail the potential for advanced communication by undermining the most vital ingredient - a belief in the accuracy of the delivered information. Be it a sound or a complex sentence, neither holds value if the recipient is untrusting of their own interpretation.

The benefit of deception is plain to see in the short-term, yet somehow this barrier had to be overcome for communication to have developed to the degree we see today. One theory is that an overwhelming wave of altruism must have run throughout the vast majority of exchanges, where the understanding of the delivered message became the overriding reward. Another suggests that it is our natural predisposition towards song as a species that enabled us to embrace the varied and expressive nature of vocal communication, with its value not playing a significant role until much later in the process of development.

Whatever the reason for it coming to be, what we can agree on definitively is that our world cannot function without communication.

Everything that we know to exist has a name, and anything new that comes into being must be given one so that we can effectively communicate this to other people. All existing words carry their own contextual implications, so that we can understand what it is we are presented with.

This EP is partially named in the hope of presenting the opportunity for listeners to assign their own meaning to its content.
Cloud, Castle, _____

3//6//13

LW

On April 6th 2013 our brief sojourn into the welcome warmth of studio life shall come to an end. Touring life beckons, and we shall answer with vigour.
With a new year comes new instruments, and with new instruments, new songs. In the not-too-distant future a new release will follow, but for now we welcome you to sample our fresh ideas in the flesh.
TICKETS AVAILABLE HERE
LW

On April 6th 2013 our brief sojourn into the welcome warmth of studio life shall come to an end. Touring life beckons, and we shall answer with vigour.

With a new year comes new instruments, and with new instruments, new songs. In the not-too-distant future a new release will follow, but for now we welcome you to sample our fresh ideas in the flesh.

TICKETS AVAILABLE HERE

LW

Tunes from under the xmas rug into the NY…



Wooden Shjips - down by the sea

Kimbra - Settle down (live SXSW - spotify session)

CAN - Vitamin C

Judy Henske and Jerry Yester - Snowblind

Factory Floor - lying 

Link Wray - Fire and brimstone

Grateful Dead - Dark star

Clark - Ted

The Who - Baba o’riley

Four Tet - Ribbons

Philip Glass - The light



~ LK ~


31//12//12

Tunes floating my boat in the deluge
Scott Walker - epizooticsKendrick Lamar - back seat freestyleNathan Fake - the sky was pinkCom Truise - sundripedFrank Zappa - willy the pimpBoards of Canada - everything you do is a balloonFiona Apple - every single nightLuke Vibert - I love acidHughes Aufray - la blanche caravelle
Liam K

Tunes floating my boat in the deluge



Scott Walker - epizootics

Kendrick Lamar - back seat freestyle

Nathan Fake - the sky was pink

Com Truise - sundriped

Frank Zappa - willy the pimp

Boards of Canada - everything you do is a balloon

Fiona Apple - every single night

Luke Vibert - I love acid

Hughes Aufray - la blanche caravelle

Liam K

Earth is currently home to upwards of 7,000,000,000 people.
If we were to take this round figure as a template for the sake of simplified mathematics, then in my estimations, approximately 1/70,000th of 1% of the entire populace of the planet have actively purchased our music. We would have to sell somewhere in the region of 4,000 albums a day for 50 years to reach just 1% of the world.
Official statistics estimate that Michael Jackson’s Thriller (the highest selling album in history) has sold somewhere between 70 and 120 million copies, and counting. This would mean that only around 1.7% of the world legitimately own what would appear to be the most popular collection of music available for mass consumption.
With this in mind I would now like to formally answer the question ‘do we think we are popular enough to release an extended version of our album?’
No, I don’t. 
And from the figures above I might even question Michael Jackson’s right to do so too - but this has never been about popularity. You would have to be dangerously insane to believe we think our album has done so well it deserves a re-release.
The extension of the record is our personal take on music piracy. We contemplated hosting a Metallica-esque press conference where we might endlessly list the reasons why stealing music is bad, but that sounded boring. Instead we saw that a Google search of our name returned as many torrent sites as it did live reviews, so we opted to release the album early.
The September release allowed the legitimate music buyers to hear the same record their peg-legged, parrot-toting neighbours had downloaded the week previous (yes, that is what you look like if you steal music).
But that still left us with an official November date to fill. 
Despite some rather convincing arguments in favour of self-congratulatory back-slapping and thumb-twiddling, we opted to return to the studio and record some more adventurous versions of the tracks on the album.
Retaining only the initial melody, all parts were stripped and reassembled to make new songs with familiar words. 
The re-packaging comes complete with lyric book, extended liner notes and individually wrapped tie-dye covers.
((O)) Re-Dreamt
LW

Earth is currently home to upwards of 7,000,000,000 people.

If we were to take this round figure as a template for the sake of simplified mathematics, then in my estimations, approximately 1/70,000th of 1% of the entire populace of the planet have actively purchased our music. We would have to sell somewhere in the region of 4,000 albums a day for 50 years to reach just 1% of the world.

Official statistics estimate that Michael Jackson’s Thriller (the highest selling album in history) has sold somewhere between 70 and 120 million copies, and counting. This would mean that only around 1.7% of the world legitimately own what would appear to be the most popular collection of music available for mass consumption.

With this in mind I would now like to formally answer the question ‘do we think we are popular enough to release an extended version of our album?’

No, I don’t. 

And from the figures above I might even question Michael Jackson’s right to do so too - but this has never been about popularity. You would have to be dangerously insane to believe we think our album has done so well it deserves a re-release.

The extension of the record is our personal take on music piracy. We contemplated hosting a Metallica-esque press conference where we might endlessly list the reasons why stealing music is bad, but that sounded boring. Instead we saw that a Google search of our name returned as many torrent sites as it did live reviews, so we opted to release the album early.

The September release allowed the legitimate music buyers to hear the same record their peg-legged, parrot-toting neighbours had downloaded the week previous (yes, that is what you look like if you steal music).

But that still left us with an official November date to fill. 

Despite some rather convincing arguments in favour of self-congratulatory back-slapping and thumb-twiddling, we opted to return to the studio and record some more adventurous versions of the tracks on the album.

Retaining only the initial melody, all parts were stripped and reassembled to make new songs with familiar words. 

The re-packaging comes complete with lyric book, extended liner notes and individually wrapped tie-dye covers.

((O)) Re-Dreamt

LW

A typical adult human body contains 206 bones.
Aside from giving structure to our bodies, they also offer protection by encasing our vital organs. Just as the skeleton cannot remain intact without the soft tissue around it, our ligaments, tendons, cartilage and muscles are incapable of movement without the internal template of our bones to dictate their limits and offer a foundation.
There are no records of a single human being having definitively broken every bone in their body. It would be logical to presume the trauma of such an occurrence would make it impossible for the subject to live beyond this. To even conceive how you might break some of the smaller bones in a singular incident of significant force to break the larger ones too would almost certainly leave few remains that bore any resemblance to a human being.
Thankfully, the ladies and gentlemen whose osseous matter has been documented and collated for our latest release were not nearly so unfortunate. Nevertheless, these are indeed genuine X-Rays of the human body.
A limited run of 37 are available, then there will be no more.
Indulge your radiological fantasies by clicking here
LW
((O))

A typical adult human body contains 206 bones.

Aside from giving structure to our bodies, they also offer protection by encasing our vital organs. Just as the skeleton cannot remain intact without the soft tissue around it, our ligaments, tendons, cartilage and muscles are incapable of movement without the internal template of our bones to dictate their limits and offer a foundation.

There are no records of a single human being having definitively broken every bone in their body. It would be logical to presume the trauma of such an occurrence would make it impossible for the subject to live beyond this. To even conceive how you might break some of the smaller bones in a singular incident of significant force to break the larger ones too would almost certainly leave few remains that bore any resemblance to a human being.

Thankfully, the ladies and gentlemen whose osseous matter has been documented and collated for our latest release were not nearly so unfortunate. Nevertheless, these are indeed genuine X-Rays of the human body.

A limited run of 37 are available, then there will be no more.

Indulge your radiological fantasies by clicking here

LW

((O))

High in the heavens an undefined, but nevertheless divine, being has been weaving their infinite magic to create something rather special.
Three new T-shirt designs have been revealed and released to be sampled and worn by those with a need for our name to always be close to their heart.
The first is the psychedelic tie-dye, handmade and all individual.
The second the 3D design, complete with 3D glasses.
The third a classic black and white for those who like to get right down to business.
They are available from our website along with a host of other treats!
click here to be whisked away!

High in the heavens an undefined, but nevertheless divine, being has been weaving their infinite magic to create something rather special.

Three new T-shirt designs have been revealed and released to be sampled and worn by those with a need for our name to always be close to their heart.

The first is the psychedelic tie-dye, handmade and all individual.

The second the 3D design, complete with 3D glasses.

The third a classic black and white for those who like to get right down to business.

They are available from our website along with a host of other treats!

click here to be whisked away!

((O))
17//9//12
Today is the day we release our first album.
I can honestly say that I have never been prouder of anything in my life. To be able to physically hold the finished article and see it in places I once believed were reserved only for ‘real’ bands makes every last penniless moment of our short existence seem worthwhile. While we might be able to take the kudos for the musical side of this effort, a massive thank you must go out to everyone who has helped us along the way:
Matt Cottrill for his buddhist patience, untiring enthusiasm and management skills which go above and beyond what we deserve, and for this we are forever grateful!
Dave Sanderson for lending us the keenest ears in Sheffield and finding a 25th hour in every day!
Don Grossinger for taking our rough edges and making them something to be proud of!
Jason Edwards & Matt Cooper for their unwavering efforts to take our show on every road fit for a transit van!
All the team at Fierce Panda for believing in us and giving us the means to reach new minds!
Steve Lamacq for playing our tracks more often than our mums!
All of our families who deserve endless thanks for not giving us the belt and making us get real jobs, lives and wives.
And finally anyone who has bought a record, been to a show, worn a t-shirt, played a track to a friend, featured us on a blog or even said Hey Sholay out loud… thank you kindly, for today is yours.
((O))

((O))

17//9//12

Today is the day we release our first album.

I can honestly say that I have never been prouder of anything in my life. To be able to physically hold the finished article and see it in places I once believed were reserved only for ‘real’ bands makes every last penniless moment of our short existence seem worthwhile. 

While we might be able to take the kudos for the musical side of this effort, a massive thank you must go out to everyone who has helped us along the way:

Matt Cottrill for his buddhist patience, untiring enthusiasm and management skills which go above and beyond what we deserve, and for this we are forever grateful!

Dave Sanderson for lending us the keenest ears in Sheffield and finding a 25th hour in every day!

Don Grossinger for taking our rough edges and making them something to be proud of!

Jason Edwards & Matt Cooper for their unwavering efforts to take our show on every road fit for a transit van!

All the team at Fierce Panda for believing in us and giving us the means to reach new minds!

Steve Lamacq for playing our tracks more often than our mums!

All of our families who deserve endless thanks for not giving us the belt and making us get real jobs, lives and wives.

And finally anyone who has bought a record, been to a show, worn a t-shirt, played a track to a friend, featured us on a blog or even said Hey Sholay out loud… thank you kindly, for today is yours.

((O))

Golden from our new album ((O))

Many years ago, making his name as a woodsman turned builder, there was a man revered by all. Those who knew him would insist that one day he would be held on high as the most capable creator who ever lived. Townships that might be fleetingly glimpsed in the dreams of lesser men were realised by his hand - from the simplest sketch to the immovable structures of stick and stone, his tools were wielded with the deftest elegance.

On a night just like any other, the Creator found himself in a tavern throwing back wine and pouring a cup for any who joined him, spitting jovial anecdotes for his companions into the early hours. The inn remained open as long as there were still men to drink their ale, and the man was far from finished, though as much could not be said for what remained of his party. He drank half the men under the table, and the other half were dragged home by tired wives repaying his generosity with scornful stares. Entering into something of a scuffle with his jacket, the Creator readied himself for home when a spindly gentleman entered. He was a waif of a man, slim and barely upright, looking less like he had walked in, more blown by the wind. Cloaked and hooded, he sloped toward the bar by the aid of his cane, which seemed every bit as crooked as the old man’s back. The Barkeep asked his order and was met with a shivering, bony finger. 

One. 

He coughed the word and shifted back his black hood to reveal an overgrown grey beard and two sunken eyes which touched everything and nothing with their silver pigment. The colour had washed out of them along with his sight. 

The beer was served and the Barkeep heaved his chest impatiently as the Stranger failed to produce a coin to pay. Moments later he went to eject the penniless elder when the Creator spoke up.

Make it two.

Muttering curses beneath his breath, the Barkeep grudgingly pulled a second and set them on the bar. Two coins were flicked toward the bar and landed near enough for the barkeep to gather his payment. 

Join me.

The Creator demanded and the old man duly obliged, grasping the flagons and following the rap of fingers on oak to find the table. A chair was kicked out and the pair sat together, wordless for a time. 

I know who you are.

The Stranger spoke, and went on to comprehensively detail the Creator’s achievements. His voice was weak but his tone suggested a poison sharpness. After a while the Creator became agitated, impatiently stating that he would know better than anybody what it was he had done. The old man laughed and drew a broken breath.

But do you know whether you should?

The Stranger struck a sore nerve with that slight. The Creator was a man so sure in himself he could not comprehend that there were any aspect of his craft that he had not considered. He thumped the table and abruptly stood, spilling his beer in the process. All the while the near-blind man stared impassively at nothing in particular. A fool’s pride seemed to grip the Creator as he staggered to the exit, spinning him about and placing him back in the face of the elder. 

I will make you a wager.

The Creator went on to challenge the Stranger, as he would any other who questioned his ability, demanding that he compete with him in a display of skill. Asserting that his talents knew no equal, he even would allow the old man to choose the task.

Very well.

The old man answered, and with the same breath declared they will compete to build the tallest building. Whichever stands the highest one year from today will be the winner, and the other shall excuse himself from this place in shame.

It was autumn and the trees kindly bared their bones. Two plots of land were cleared at the edge of the town, side by side and overlooking everything the Creator had created. Week after week they set set about their tasks. The younger of the pair planned as he built, and the elder simply sat and stared up toward the sky with his failing eyes; and all the while his plot remained untended. Come the end of the red season, the Creator had the foundations of his structure set in place, but the Stranger had yet to lift a withered finger. 

By winter the Creator had the skeletal frame of something massive, and planned to extend it further. He built throughout what short days he could, boasting of an evening that it would be the most magnificent sight in all the land. In this time the old man had walked out beyond the edge of the township and disappeared. Many presumed the worst, only to see him return after a fortnight rolling a big, flat rock. It looked like the belly of a fat man made of stone; it was even indented where the belly button would be. He would only move a few yards a day, and despite his advancing years, the townsfolk had little aid to offer beside whispers of his madness. As winter withdrew its icy reach the Creator was already close to dwarfing the highest existing structure, while the Stranger simply sat and rested, this time atop the huge stone he had laboured to move for so long.

Spring arrived and it saw the Creator thaw his tools and sharpen his instinct. His hand-crafted immensity blossomed all at once. The windows, walls, doors & floors erupted in a sheer reach of greystone for strength and brownwood for stability. The clouds gathered to welcome its upper echelons to the sky, and within days waved a cheery farewell as the Creator reached onwards and upwards. The elderly man disappeared once again, and upon his return he added another stone, only half the size of the original. His meagre structure now stood tall as a man, and once more he climbed upon it and waited. He did little else for the remainder of the season, but each day he would ask the gathering crowd if the Creator continued. In truth he had built so high no-one was entirely sure, though they still saw pulleys yank timber and tablet high beyond their capacity to gaze, and every week or so the Creator would return to reload his apparatus with fresh building materials. Exhausted as he was, the Creator still found the energy to sneer at his challenger’s feeble effort. The throng of onlookers implored him to give up and show mercy to the old man, but when the invitation to bow out was extended, the Stranger simply asked again whether the Creator continued.

Summer reddened the flesh of pale men, but the face of the Creator had remained rosy since his offer to concede had been rejected by the Stranger. Incensed, he raged on with his task, working tirelessly day and night to reach beyond the highest heights, vowing not to stop until the Gods would look up at what he had built. As the anniversary of their wager grew closer, the Stranger had been seen to flick a handful of pebbles up toward the top of his stone idol. Some landed and others rolled off the side, or missed entirely, but the near-blind builder seemed to care little. With but a day to go the Creator returned to the ground, thirsty and weak, but otherwise triumphant. The entire town gathered as the pair presented the efforts of their year-long labour. 

The Creator paraded back and forth, taunting his opponent to turn his head upwards and look upon his defeat. The Stranger instead gestured to his own handiwork and stated he need only look as high as a man’s face to see what he is capable of. The Creator almost double over with laughter, and his chorus of mockery was taken up by the townsfolk. They pointed scornfully and spoke over one another with talk of the Creator’s excellence and the Stranger’s madness. Then at once it began to snow.

Looking upwards there was not a cloud in the sky. In truth the sun shone more brightly than it had ever done, but sure enough the softest flakes of white dissolved upon the heads and shoulders of everyone gathered. 

The Creator walked around the left of his structure with a look of dumbstruck fascination plastered across his face, returning from the right etched only with terror. At once the townsfolk know what a fool he had been. He had built too close to the sun and now the titan burned from above, laying it’s ashes atop them. Before they could flee to their homes the first stone fell and planted through a roof, then another collapsed the entire front wall of a quaint riverside cottage. The ashes had settled and kissed the top of what remained of the town, but only played the role of precursor to the rain of fire which hailed down from above. From the hillside where they had competed they could see the whole of the town set ablaze. Nothing escaped, and right through the night the fires raged on. Finally the tower fell and flattened out everything still barely-standing in a pile of white-hot rubble.

The dawn broke and the townsfolk returned to the broken relics of their homes. The Creator remained on the hillside to look over his legacy, shivering in the shadow of the Stranger’s structure, which now stood tallest of all the buildings in the town.

New single ‘Burning’ released June 11th on Fierce Panda Records

Available on iTunes:

http://itunes.apple.com/gb/album/burning-single/id527871319

Burning - Live at Maida Vale for BBC Introducing

Single Released June 11th

Wishbone - Live at Maida Vale for BBC Introducing

My Blood - Live at Maida Vale for BBC Introducing